Showing 1–36 of 144 posts

Various shapes cast in shadow on a stretched yellow canvas - illustrative outlines of galloping horses; broad brushstrokes describing hillsides; a pair of human hands.

Ethereal Matter

13.02.2026, by Kerry Harker

3 drawings depict wild cartoonish characters, each like a fantasy - the left hand drawing is mostly purple, the middle drawing is mostly black and the 3rd is rainbow coloured!

Hardeep Pandhal: Saag and Fish Fingers

09.02.2026, by Kevin Hunt

A close up of the mycelium rope curling around itself with purple and green lights

John-Paul Brown and Sophy King: The Guardians of Living Matter

06.02.2026, by Andee Collard

A picture of a monitor showing a split screen image. A long piece of red fabric is woven among trees, in a bright scene. On the left a figure is holding the red fabric.

Listening to the Voices of the Rivers

04.02.2026, by Anna Mud

A row of the backs of several large colourful ragdolls with their arms outstretched, forming an arch with a row of ragdolls opposite.

OUR TURN: The Art of Becoming

14.01.2026, by Martin Scott

A warmly lit gallery interior, there are small trees or patches of bamboo, arranged around the sapce. Two people sit in the middle of the space, on beanbags, listening.

Lintukoto and The Flowers Stand Silently, Witnessing  

15.12.2025, by Silvia Hassouna

Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom, 2025, Installation view at Nottingham Contemporary. Photo: Michael Pollard. Courtesy of Nottingham Contemporary.

Basel Abbas and Ruanne Abou-Rahme, Prisoners of Love: Until the Sun of Freedom

10.12.2025, by Amrit Doll

In a large gallery space, a hexagonal bench sits in the centre of a ring of tall, asymmetric lightboxes with images of plants. They glow yellow, filling the whole room with yellow light.

Radha D’Souza and Jonas Staal, Court for Intergenerational Climate Crimes: The British East India Company on Trial

08.12.2025, by Tessa Norton

Six or seven people are lying down on airbeds in a carpeted room. On a box at the back is a man with brown curly hair playing a guitar. There is a drawing on the wall to his left and further left is a garment on a tailor's dummy.

Watery Commons: The Tweed River Festival 2025

28.11.2025, by Maria Howard

A cupped hand holds enough salt to fill its palm. The hand is held above a glistening body of water.

Angela Davies: (To the) Heart of the Matter

24.11.2025, by James Harper

Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

Installation view showing Dining Room section of exhibition. Photo by Jules Lister.

William English & Sandra Cross: To Farse All Things

07.11.2025, by Wayne Burrows

The houseboat is outside in a clearing surrounded by trees, supported by wooden plinths

Simon Starling: Boat Works

06.11.2025, by Caroline Bagenal

A widescreen still from a video. The scene is a woodland floor. A person in Blue outer jackets and black pants and grey trainers lies on the ground, on their side, hands covering their face. There is a bag or some other rectangular what object under their right leg.

Esther Salamon: Woodland Bird Woman

04.11.2025, by Mridula Sharma

A bird's eye view of circular drawings in the sand

Anna Clough: Inter/Extra Terrestrial

03.11.2025, by Iona Glen

A flag made of concentric coloured rectangles. Outside to inner: Pink, red, purple and a solid black rectangle in the centre.

Beth J Ross: Her Extraordinary Colours

31.10.2025, by Anna Mud

A glossy black curtain with many folds. On it a photograph, large and in colour. It shows a woman with light brown skin standing in a landscape she is wearing a white robe and head scarf, in her left hand a Union Flag hangs, draping on the ground.

In all possible worlds: Middlesbrough Art Week, 2025

24.10.2025, by Kin

A viewer looks at two framed photographic portraits, on the left a person in a red rdess with a flower in their hair and the right a person in black clothing and glasses

FAFSWAG: FALE SĀ / SACRED HOUSE

08.10.2025, by Jessica El Mal

A white wall gallery space with a grey floor. On the floor to the right and in the foreground, a curved piece of steel with two tentacular twists of metal leading from each end up into the air, towards a skylight above. On each of the two back walls, strips of metal at around head height - one light grey in colour, the other with darker markings.

Rebecca Halliwell-Sutton: From skin to land, from walls to worlds

06.10.2025, by Simal Rafique

A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

A dimly lit interior, a back wall painted orange with a tv monitor showing dappled light through tree leaves. In the foreground two victorian looking chairs.

The Inside and Outside of Belonging – MA Fine Art Degree Show 2025

29.09.2025, by Joanna Jowett

A large typographic print taped to a table, reflecting blue light that shines on it from above.

Acting in the Middle: A Glossary of Encounter — David Eckersley

26.09.2025, by Joanna Jowett

A large space with white walls and painted grey floor. A number of artworks are dotted around the room. In the foreground, on the floor, a squiggle pattern drawn in salt. A table behind that with drawings on the wall. To the left a display of interconnected objects on the wall.

A Gathering: Newcastle University Post-Graduate Degree Show

15.09.2025, by Uma Breakdown

blue ceramic sculpture of loops like a knuckle duster on a sienna background

Pippa Eason: Four-fold Reverie

10.09.2025, by Jazmine Linklater

A large painting stretched over a number of walls, curved around bends, of a skeletal figure lying beneath a drystone wall whilst a scruffy dog running around in the field beyond.

Dale Holmes: Beenderman & Gytrash

08.09.2025, by Hanna Dhaimish

A large globe constructed of wire with continents outlined in red neon light sits on the gallery floor. Behind, a large pile of brown paper, hessian and fabric is layered up into the corner of the room.

We Grown-Ups Can Also Be Afraid: Creativity in Times of Crisis

25.08.2025, by Jennifer Brough

Installation Shot. Image courtesy of Broken Grey Wires.

Who Wants Flowers When They Are Dead? at Williamson Art Gallery and Museum, Birkenhead

14.08.2025, by Denise Courcoux

a gallery space with small framed works and a sculpture of a horse

Confluences

11.08.2025, by Vaishna Surjid

a horse rider standing still on calm wet sands

Sankey: Lives Through the Lens: The Workers and The Binding Tide

02.08.2025, by Anthony Ellis

A sculptural text work set up in leafy parkland. Scaffolding supports lighting rigs, bulbs spelling out the phrase; "YOU CREATE WHAT YOU WILL".

An Interview with Nathan Coley at The Bowes Museum

21.07.2025, by Lesley Guy

A large white wall gallery space with assemblages of objects spread around the space, chiffon prints of the doors to public bathrooms hung from the ceiling.

Paula Chambers: Still. Stray. Stowaway.

18.07.2025, by Stella Baraklianou

Three large drawings on dark paper, with text and images in many colours but with an overall blue tone, part of a larger series, hang in an airy mill building.

Memorial Gestures

09.07.2025, by Alice Bradshaw

A bedroom scene where the plush velvet bed has been squished so its footboard touches its headboard and the spotlights above are kinky furry toys

Mark Woods: Formula + Fetish

26.06.2025, by Even Allen

a white wall covered with sprigs of meadow flowers

Henna Asikainen: Lintukoto/Haven

19.06.2025, by Sam Pickett

An empty rowboat in the middle of a river. Several sprouts of water spring from the boat's interior, falling into the river on all sides

fæthm

11.06.2025, by Jay Drinkall