Reviews

Showing 73–108 of 735 articles

Review — 13.03.2019

Digital Citizen – The Precarious Subject

BALTIC Centre for Contemporary Art, Gateshead

by Caro Fentiman

Review — 13.03.2019

Megan Powell – Get Stabbed and Boogie

PAPER Gallery, Manchester

by Andee Collard

Review — 12.03.2019

Op Art in Focus at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 12.03.2019

Blue Room at Ten: Just the Tonic!

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 12.03.2019

BALTIC Artists’ Award 2019

BALTIC Centre for Contemporary Art, Gateshead

by Sarah Davies

Review — 08.03.2019

Flat + Earth

Sidney + Matilda, Sheffield

by Clare Nadal

Review — 06.03.2019

Liverpool Biennial: A call for Dialogue, not Monologue

Liverpool

by Ed Montana-Williams

Review — 06.03.2019

Into the Woods / Coal Forest

Woodhorn Museum, Ashington

by Dave Pritchard

Review — 04.03.2019

Grand Opening

Pineapple Black, Middlesbrough

by Annie O'Donnell

Review — 28.02.2019

Charwei Tsai: Bulaubulau

CFCCA, Manchester

by Claire Walker

Review — 28.02.2019

Yoke: Undercurrent

The Art House, Wakefield

by Karen Tobias-Green

Review — 27.02.2019

Yoko Ono at Leeds Arts University

Leeds Arts University, Leeds

by Joanna Jowett

Review — 26.02.2019

TOTALLER: TOT-TOT-TOTALALAZOLA!

The NewBridge Project : Gateshead, Gateshead

by Christopher Little

Review — 16.02.2019

Michael Lacey at OUTPUT Gallery

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 09.02.2019

Mike Collier and Bennett Hogg: A Dawn Chorus

Platform A Gallery, Middlesbrough

by Dave Pritchard

Review — 04.02.2019

Eva Mileusnic and Bob Birch: Critical Mass

Left Bank, Leeds

by Stu Hansom

Review — 02.02.2019

hu – Hungarian Touring Exhibition

Abject Gallery, Newcastle upon Tyne

by Grace Denton

Review — 26.01.2019

Fernand Léger: New Times, New Pleasures

Tate Liverpool, Liverpool

by Danielle Child

Review — 19.01.2019

The Ground Beneath Your Feet

Castlefield Gallery, Manchester

by Claire Walker

Review — 10.01.2019

Leisure Time

S1 Artspace, Sheffield

by Orla Foster

Review — 19.12.2018

John Walter: CAPSID

HOME, Manchester

by Lucy Holt

Review — 18.12.2018

Aaron Guy: The House that Jack Built

36 Lime Street, Newcastle upon Tyne

by Christopher Little

Review — 13.12.2018

Adulthood

Bunker Gallery, Manchester

by Claire Walker

Review — 09.12.2018

Moon Kyungwon and Jeon Joonho: News From Nowhere

Tate Liverpool, Liverpool

by Callan Waldron-Hall

Review — 07.12.2018

Material Culture Unearthed: Five Verses on Six Sacks of Earth

In-Situ, Lancashire

by Natalie Hughes

Review — 06.12.2018

Re: work

Holden Gallery, Manchester

by Nicole Coyle

Review — 05.12.2018

The Hepworth Prize for Sculpture 2018

Hepworth Wakefield, Wakefield

by Paula Chambers

Review — 30.11.2018

Berwick Film & Media Arts Festival 2018

Berwick-upon-Tweed

by Grace Denton

Review — 29.11.2018

Frances Richardson: Not even nothing can be free of ghosts

Cross Lane Projects; Cumbria

by Derek Horton

Review — 19.11.2018

Heather Phillipson: The Age of Love

BALTIC Centre for Contemporary Art, Gateshead

by Carys Rose Thomas

Review — 16.11.2018

LAB212: Nebula

Barrow-in-Furness; Cumbria

by Sam Pickett

Review — 12.11.2018

Simeon Barclay: Bus2move

The Tetley, Leeds

by Laura Clarke

Review — 11.11.2018

Construction House: Order & Limitations

S1 Artspace, Sheffield

by Orla Foster

Review — 10.11.2018

Zoe Childerley: Beyond the Pale

Berwick-upon-Tweed

by Dave Pritchard

Review — 06.11.2018

Dan Holdsworth: Continuous Topography

NGCA, Sunderland

by Grace Denton

Review — 01.11.2018

Northern Lights

Grundy Art Gallery, Blackpool

by Natalie Bradbury