Reviews

Showing 1–36 of 1006 articles

A dark blue wall with framed photographs of damaged books opened at pages

Stephen Emmerson: How to Read a Book

19.11.2025, by Richard Barrett

a group of people stand either side of a stone structure. The wear raincaots and hold umbrellas

Make Time For Love

14.11.2025, by Jessie Jones

Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

The artist as Darwin in drag with bright orange ruffly skirts, under the sea with three friends dancing

Yuki Kihara: Darwin in Paradise Camp

10.11.2025, by Grey Marlow

Installation view showing Dining Room section of exhibition. Photo by Jules Lister.

William English & Sandra Cross: To Farse All Things

07.11.2025, by Wayne Burrows

The houseboat is outside in a clearing surrounded by trees, supported by wooden plinths

Simon Starling: Boat Works

06.11.2025, by Caroline Bagenal

Two small white children play in the water with a toy boat

Juliet Klottrup: An Archive

05.11.2025, by Kyle Nathan Brown

A widescreen still from a video. The scene is a woodland floor. A person in Blue outer jackets and black pants and grey trainers lies on the ground, on their side, hands covering their face. There is a bag or some other rectangular what object under their right leg.

Esther Salamon: Woodland Bird Woman

04.11.2025, by Mridula Sharma

A bird's eye view of circular drawings in the sand

Anna Clough: Inter/Extra Terrestrial

03.11.2025, by Iona Glen

A flag made of concentric coloured rectangles. Outside to inner: Pink, red, purple and a solid black rectangle in the centre.

Beth J Ross: Her Extraordinary Colours

31.10.2025, by Anna Mud

A glossy black curtain with many folds. On it a photograph, large and in colour. It shows a woman with light brown skin standing in a landscape she is wearing a white robe and head scarf, in her left hand a Union Flag hangs, draping on the ground.

In all possible worlds: Middlesbrough Art Week, 2025

24.10.2025, by Kin

small woven textiles in purples, blues, oranges and pinks hand inside the tent structure

British Textile Biennial 2025: The Future Was Always There

24.10.2025, by Sally Button

A viewer looks at two framed photographic portraits, on the left a person in a red rdess with a flower in their hair and the right a person in black clothing and glasses

FAFSWAG: FALE SĀ / SACRED HOUSE

08.10.2025, by Jessica El Mal

A string trio of two violins and one cello on a dark stage with draped fabric, and two performers in grey garments sitting at their feet

BLOOM: A Story of Metamorphosis

07.10.2025, by Ella Otomewo

A white wall gallery space with a grey floor. On the floor to the right and in the foreground, a curved piece of steel with two tentacular twists of metal leading from each end up into the air, towards a skylight above. On each of the two back walls, strips of metal at around head height - one light grey in colour, the other with darker markings.

Rebecca Halliwell-Sutton: From skin to land, from walls to worlds

06.10.2025, by Simal Rafique

A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

A dimly lit interior, a back wall painted orange with a tv monitor showing dappled light through tree leaves. In the foreground two victorian looking chairs.

The Inside and Outside of Belonging – MA Fine Art Degree Show 2025

29.09.2025, by Joanna Jowett

A large typographic print taped to a table, reflecting blue light that shines on it from above.

Acting in the Middle: A Glossary of Encounter — David Eckersley

26.09.2025, by Joanna Jowett

microscopic closeup of a fly's foot which is shades of light brown with lots of little hairs all over it against a green background

Nell Osborne: Ghost Driver

18.09.2025, by Kate Paul

blue ceramic sculpture of loops like a knuckle duster on a sienna background

Pippa Eason: Four-fold Reverie

10.09.2025, by Jazmine Linklater

Installation view of the white gallery space with a sliver of the blue entryway visible

The Way In Is Not The Whole Way Through 

09.09.2025, by Laura Biddle

A large painting stretched over a number of walls, curved around bends, of a skeletal figure lying beneath a drystone wall whilst a scruffy dog running around in the field beyond.

Dale Holmes: Beenderman & Gytrash

08.09.2025, by Hanna Dhaimish

A black and white negative image of a modernist church building. The words 'Here We Are' is overlaid across the image in blue italicised capitals

Elizabeth Price – ‘HERE WE ARE’, The Black-E, Liverpool Biennial 2025

04.09.2025, by Rory Cook

A black and white photo of a smiling woman playing a drum, pasted onto a cream coloured wall.

Resounding Diasporic Sonic Worlds

28.08.2025, by Christie Yung-hei Chan

Installation Shot. Image courtesy of Broken Grey Wires.

Who Wants Flowers When They Are Dead? at Williamson Art Gallery and Museum, Birkenhead

14.08.2025, by Denise Courcoux

Two men stand in front of a red banner

Going Back Brockens: Monuments and Rhetoric After the Miners’ Strike

13.08.2025, by Kate Liston

a gallery space with small framed works and a sculpture of a horse

Confluences

11.08.2025, by Vaishna Surjid

A group of adults and children reaching towards bubbles in the sky.

Uncanny Carnival

08.08.2025, by Lesley Guy

A detail of Amartey Golding's Chainmail 4 showing feet sticking out from under chainmail.

Amartey Golding

06.08.2025, by Natalie Hughes

Brightly coloured projections of the interior of a room with painted doors and window frames projected on a wall

Snapes Open Call and Response

04.08.2025, by Chantal Oakes

a horse rider standing still on calm wet sands

Sankey: Lives Through the Lens: The Workers and The Binding Tide

02.08.2025, by Anthony Ellis

An upturned vase embedded in a cube of concrete on a white plinth. In the background, a small bunch of flowers cast in bronze hand upside down on a wall and light slants in through a large window.

Mia Mai Symonds: A Life of its Own

01.08.2025, by Kerry Harker

a collage made from brightly coloured ice cream spoons

Chila Burman: I Love You Southport

29.07.2025, by Kirsty Jukes

A large white wall gallery space with assemblages of objects spread around the space, chiffon prints of the doors to public bathrooms hung from the ceiling.

Paula Chambers: Still. Stray. Stowaway.

18.07.2025, by Stella Baraklianou

Three large drawings on dark paper, with text and images in many colours but with an overall blue tone, part of a larger series, hang in an airy mill building.

Memorial Gestures

09.07.2025, by Alice Bradshaw