Review — 09.09.2019
Yorkshire Sculpture International at the Henry Moore Institute
Henry Moore Institute, Leeds
by Pamela Crowe
Review — 07.08.2019
Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.
Two Queens, Leicester
by Louis D'Arcy-Reed
Feature — 01.08.2019
Pavilion Artists Moving Image Network: Screening Weekend
Pavilion & Hyde Park Picture House, Leeds
by Nina de Paula Hanika
Review — 26.07.2019
James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII
Leeds Town Hall, Leeds
by Catriona McAra
Review — 04.06.2019
Trojan Horse / Rainbow Flag
Star and Shadow Cinema, Newcastle upon Tyne
by Grace Denton
Review — 24.04.2019
Cinematic Inclusions
Star and Shadow Cinema, Newcastle upon Tyne
by András Nagy-Sándor
Exploration — 25.03.2019
Re-collections: Susan Hiller, Elizabeth Price, Georgina Starr
Site Gallery, Sheffield
by Amelia Crouch
Review — 23.03.2019
Rodrigo Lebrun: Green (Screen) Dreams
North Lincolnshire Museum, Scunthorpe
by Jay Drinkall
Review — 29.06.2018
Andy & Peter Holden: Natural Selection
Leeds Art Gallery, Leeds
by Natalie Bradbury
Review — 19.06.2018
Kate Whiteford: Wings of Desire
Brontë Parsonage Museum, Haworth
by Karen Tobias-Green
Review — 22.05.2018
Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers
Grundy Art Gallery, Blackpool
by Robbie di Vito
Review — 08.05.2018
Kate Liston: Feel After the New See
Hatton Gallery, Newcastle upon Tyne
by Lesley Guy
Review — 12.04.2018
Jasmina Cibic: This Machine Builds Nations
BALTIC Centre for Contemporary Art, Gateshead
by Adam Heardman
Review — 30.11.2017
Kathryn Elkin: Shelter from the Storm
Gallery North, Newcastle upon Tyne
by Elisabetta Fabrizi
Review — 25.09.2017
Notes From Another India: Mark Lapore & Ruchir Joshi
Pavilion & Hyde Park Picture House, Leeds
by Richard Hudson-Miles
Review — 22.02.2017
Dora García: These books were alive; they spoke to me!
The Tetley, Leeds
by Rebecca Levick
Review — 15.12.2016
Not For Navigation, The International 3, Salford
The International 3
by Simon Marginson