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A woven textile piece is suspended from a metal frame in the centre of the gallery. Threads of green, bright reds and pinks form an abstracted image that perhaps resembles a disintegrating map of some kind. The edges of the weaving are left untrimmed and threads of different colours hang down.

Raisa Kabir: I only dance, I wish we could sing

04.05.2026, by Ruth Charnock

Review
Sleaford
The Hub
Two paintings on a gallery wall - one visible obliquely on the lefthand wall shows a person on horseback; the more central, front-on painting shows a pair of musicians and a leopard at a balcony.

Gathering Landscapes & When the Day is Done: Two Sheffield Exhibitions

01.05.2026, by Jay Drinkall

Review
Graves Gallery
Sheffield
Weston Park Museum
A gallery is lit with fuzzy green lighting - pools of which highlight sculptures on the wall and floor

Kelsey Cruz-Martin: A Shell Stood for Zero

22.04.2026, by Lizzie Lloyd

Review
Cardiff
g39
Becky Beasley, 'A Gentle Man (Part II) (1975-2029)' installation view at QUAD, Derby. Photograph by Nigel Green.

Becky Beasley: A Gentle Man (Part II) (1975-2029)

20.04.2026, by Suzanne Golden

Feature
Derby
QUAD
Swans gather in a circle on the water, the sun reflecting off the ripples

‘Shaped Around Us’ – Practice: Leeds, Yorkshire Contemporary’s Artist Development Programme

20.04.2026, by Farah Dailami

Exploration
Leeds
Yorkshire Contemporary
Three glass sculptures in a row, on the left two small panels propped up on metal stands and on the right a longer pane leaning against the wall. In the foreground a rectangle of blue on the floor with an old car tyre laid atop it.

Harriet Bowman: Slow Puncture

27.03.2026, by Grace Edwards

Review
Cross Lane Projects
Kendal
A stone block carved to a smooth shape on the left and rough hewn on the right, interrupting the words carved on it: 'Want-; Disea-; Squalo-; Idlenes-; Ignora-'

Tony Heaton: Serial Dissenter

23.03.2026, by Kyle Nathan Brown

Interview
Review
Lancaster
Lancaster Arts
A light wooden frame is dimly illuminated in the darkness, with pink and white ribbons and hand shaped fabrics draped from it

Against Control: Anti-Heroic Authorship in New Exhibitions from Ellis and Kidd

18.03.2026, by Mollie Balshaw

Review
HOME
Manchester
Boulders in a high moorland landscape around Kinder Scout. The nearest boulder is draped with two woven blankets.

Pathways: Exploring Bloc Projects’ Artist Development Programme

23.02.2026, by Jessica Piette

Exploration
Bloc Projects
Sheffield
A close up on two vitrines with ceramic objects in them. On the wall behind a large mind map with the words Tees Valley: An Art History in the centre in an orange circle.

Desire Lines: Art, Place & Possibilities

16.02.2026, by Kate Sweeney

Review
Middlesbrough
Middlesbrough Institute of Modern Art
Various shapes cast in shadow on a stretched yellow canvas - illustrative outlines of galloping horses; broad brushstrokes describing hillsides; a pair of human hands.

Ethereal Matter

13.02.2026, by Kerry Harker

Review
BasementArtsProject
Leeds
A close up of the mycelium rope curling around itself with purple and green lights

John-Paul Brown and Sophy King: The Guardians of Living Matter

06.02.2026, by Andee Collard

Review
Lowry
Salford
Three square copper plates mounted in a horizontal line with circles and feathers etched into their surfaces

ECHO LIMA: Anna Júlía Friðbjörnsdóttir’s Women in Print Residency 

04.02.2026, by Tessa Harris

Exploration
Artlab Contemporary Print Studios
Preston
A row of the backs of several large colourful ragdolls with their arms outstretched, forming an arch with a row of ragdolls opposite.

OUR TURN: The Art of Becoming

14.01.2026, by Martin Scott

Exploration
Bradford
Various locations
A white wall gallery space with grey concrete ceiling and floor. On the back wall hang several small paintings; on the ground in front, a table with slender legs with a delicate looking object on.

Unquiet Landscapes

07.01.2026, by Hanna Dhaimish

Review
Sheffield
Yorkshire Artspace
A warmly lit gallery interior, there are small trees or patches of bamboo, arranged around the sapce. Two people sit in the middle of the space, on beanbags, listening.

Lintukoto and The Flowers Stand Silently, Witnessing  

15.12.2025, by Silvia Hassouna

Exploration
Newcastle upon Tyne
The NewBridge Project
In a large gallery space, a hexagonal bench sits in the centre of a ring of tall, asymmetric lightboxes with images of plants. They glow yellow, filling the whole room with yellow light.

Radha D’Souza and Jonas Staal, Court for Intergenerational Climate Crimes: The British East India Company on Trial

08.12.2025, by Tessa Norton

Review
Blenheim Walk Gallery, Leeds Arts University
Leeds
A cupped hand holds enough salt to fill its palm. The hand is held above a glistening body of water.

Angela Davies: (To the) Heart of the Matter

24.11.2025, by James Harper

Feature
Plas Glyn Y Weddw
Wales
A dark blue wall with framed photographs of damaged books opened at pages

Stephen Emmerson: How to Read a Book

19.11.2025, by Richard Barrett

Review
Manchester
The Portico Library
Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

Review
Leicester
Two Queens
The houseboat is outside in a clearing surrounded by trees, supported by wooden plinths

Simon Starling: Boat Works

06.11.2025, by Caroline Bagenal

Review
Abbot Hall Art Gallery
Cumbria
Kendal
Windermere Jetty Museum
A widescreen still from a video. The scene is a woodland floor. A person in Blue outer jackets and black pants and grey trainers lies on the ground, on their side, hands covering their face. There is a bag or some other rectangular what object under their right leg.

Esther Salamon: Woodland Bird Woman

04.11.2025, by Mridula Sharma

Review
Newcastle Contemporary Art
Newcastle upon Tyne
A bird's eye view of circular drawings in the sand

Anna Clough: Inter/Extra Terrestrial

03.11.2025, by Iona Glen

Review
Barrow-in-Furness
Full of Noises
Two people in dark clothes with dark, long hair stand chatting and smiling in an artist's studio, surrounded by colourful objects and shelves of artist materials

Exchange Place Studios: Inside Sheffield’s art laboratory

29.10.2025, by Orla Foster

Exploration
Sheffield
Yorkshire Artspace
A glossy black curtain with many folds. On it a photograph, large and in colour. It shows a woman with light brown skin standing in a landscape she is wearing a white robe and head scarf, in her left hand a Union Flag hangs, draping on the ground.

In all possible worlds: Middlesbrough Art Week, 2025

24.10.2025, by Kin

Review
Middlesbrough
Multiple Venues
An deflated sculpture made from weather balloons hanging from the ceiling, wrinkeld, and gathered as such to resemble a large duck-like figure hanging in the space, it is yellowy in colour

Nothing Gold Can Stay: Assembly 2025

13.10.2025, by Leah Hickey

Review
The New Art Gallery Walsall
Walsall
A white wall gallery space with a grey floor. On the floor to the right and in the foreground, a curved piece of steel with two tentacular twists of metal leading from each end up into the air, towards a skylight above. On each of the two back walls, strips of metal at around head height - one light grey in colour, the other with darker markings.

Rebecca Halliwell-Sutton: From skin to land, from walls to worlds

06.10.2025, by Simal Rafique

Review
GLOAM
Sheffield
A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

Review
Leicester
Leicester Gallery, De Montfort University
A dimly lit interior, a back wall painted orange with a tv monitor showing dappled light through tree leaves. In the foreground two victorian looking chairs.

The Inside and Outside of Belonging – MA Fine Art Degree Show 2025

29.09.2025, by Joanna Jowett

Review
Leeds
University of Leeds
A gallery with walls painted in mid-brown and dark terracotta, with a variety of different works including a large painting, a video piece on a wall mounted screen and several sculptural works in the foreground on a low plinth.

FOREST

24.09.2025, by Wingshan

Review
Nottingham
Nottingham Castle Museum & Art Gallery
Installation view of the white gallery space with a sliver of the blue entryway visible

The Way In Is Not The Whole Way Through 

09.09.2025, by Laura Biddle

Review
Manchester
texture
A large globe constructed of wire with continents outlined in red neon light sits on the gallery floor. Behind, a large pile of brown paper, hessian and fabric is layered up into the corner of the room.

We Grown-Ups Can Also Be Afraid: Creativity in Times of Crisis

25.08.2025, by Jennifer Brough

Review
Attenborough Arts Centre
Leicester
Installation Shot. Image courtesy of Broken Grey Wires.

Who Wants Flowers When They Are Dead? at Williamson Art Gallery and Museum, Birkenhead

14.08.2025, by Denise Courcoux

Review
Birkenhead
Williamson Art Gallery
a gallery space with small framed works and a sculpture of a horse

Confluences

11.08.2025, by Vaishna Surjid

Review
Cross Lane Projects
Kendal
An upturned vase embedded in a cube of concrete on a white plinth. In the background, a small bunch of flowers cast in bronze hand upside down on a wall and light slants in through a large window.

Mia Mai Symonds: A Life of its Own

01.08.2025, by Kerry Harker

Review
BLANK_
Leeds
A large white wall gallery space with assemblages of objects spread around the space, chiffon prints of the doors to public bathrooms hung from the ceiling.

Paula Chambers: Still. Stray. Stowaway.

18.07.2025, by Stella Baraklianou

Review
Blenheim Walk Gallery, Leeds Arts University
Leeds
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