Showing 1–36 of 48 posts

Review — 26.09.2019

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

Bloc Projects, Sheffield

by Jessica Piette

Review — 22.09.2019

What is the Matter? Materials, Commodities, Narratives

Kelham Island Museum, Sheffield

by Orla Foster

Review — 16.09.2019

Michael Shaw: INF23

Left Bank, Leeds

by Karen Tobias-Green

Review — 09.09.2019

Yorkshire Sculpture International at the Henry Moore Institute

Henry Moore Institute, Leeds

by Pamela Crowe

Review — 26.07.2019

James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII

Leeds Town Hall, Leeds

by Catriona McAra

Review — 28.06.2019

Nika Neelova and Holly Hendry at The Tetley

The Tetley, Leeds

by Karen Tobias-Green

Review — 15.04.2019

Roy Voss: The Way Things Are

Gymnasium Gallery, Berwick-upon-Tweed

by Caro Fentiman

Review — 28.03.2019

Construction House: Radical Materials

S1 Artspace, Sheffield

by Orla Foster

Review — 28.02.2019

Yoke: Undercurrent

The Art House, Wakefield

by Karen Tobias-Green

Review — 04.02.2019

Eva Mileusnic and Bob Birch: Critical Mass

Left Bank, Leeds

by Stu Hansom

Review — 18.12.2018

Aaron Guy: The House that Jack Built

36 Lime Street, Newcastle upon Tyne

by Christopher Little

Review — 05.12.2018

The Hepworth Prize for Sculpture 2018

Hepworth Wakefield, Wakefield

by Paula Chambers

Review — 19.11.2018

Heather Phillipson: The Age of Love

BALTIC Centre for Contemporary Art, Gateshead

by Carys Rose Thomas

Review — 28.10.2018

Senga Nengudi

Henry Moore Institute, Leeds

by Rachel Graves

Review — 09.10.2018

Tai Shani: Semiramis

The Tetley, Leeds

by Rachel Graves

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 16.06.2018

Helen Shaddock: Themselves Here Together

The Word, South Shields

by Sarah Davies

Review — 17.05.2018

Material Environments

The Tetley, Leeds

by Louis D’Arcy-Reed

Review — 14.05.2018

Roy Voss: The Way Things Are & All the World’s a Sunny Day

Grundy Art Gallery, Blackpool

by Daniel McMillan

Review — 28.04.2018

Simona Brinkmann: Override & Ellie Collins: Sweepings

The Art House, Wakefield

by Karen Tobias-Green

Review — 16.04.2018

Brass Art: that-which-is-not

Bury Sculpture Centre, Bury

by Beth Dawson

Review — 12.04.2018

Jasmina Cibic: This Machine Builds Nations

BALTIC Centre for Contemporary Art, Gateshead

by Adam Heardman

Review — 11.04.2018

Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)

Leeds Art Gallery, Leeds

by Jack Welsh

Review — 23.03.2018

Conroy/Sanderson: Here I Am

Millennium Gallery, Sheffield

by Lucy Holt

Review — 20.03.2018

Anthony McCall: Solid Light Works

Hepworth Wakefield, Wakefield

by Gertrude Gibbons

Interview — 17.03.2018

Aitor Gonzalez and Noel Clueit: Edinburgh Sculpture Workshop

Edinburgh Sculpture Workshop, Edinburgh

by Lisa-Marie Dickinson

Review — 12.01.2018

Sofia Stevi: turning forty winks into a decade

BALTIC Centre for Contemporary Art, Gateshead

by Adam Heardman

Review — 10.01.2018

Saelia Aparicio: Your Consequences Have Actions

The Tetley, Leeds

by Robbie di Vito

Review — 06.01.2018

Jill & Josh & Their Dead Petz

BasementArtsProject, Leeds

by Saffron Ward

Review — 01.01.2018

Veronica Ryan: Salvage

The Art House, Wakefield

by Karen Tobias-Green

Review — 28.11.2017

Michael Flechtner: Animating Neon

Neon Workshops, Wakefield

by Lisa-Marie Dickinson

Review — 08.11.2017

Alina Szapocznikow: Human Landscapes

Hepworth Wakefield, Wakefield

by Liam McCabe

Review — 06.11.2017

Artist Rooms: Joseph Beuys

Leeds Art Gallery, Leeds

by Tessa Norton

Review — 25.10.2017

David Sowerby: The Idles That Habit Forms

University of Leeds Project Space, Leeds

by Derek Horton

Review — 09.10.2017

Turner Prize 2017

Ferens Art Gallery, Hull

by Orla Foster

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar