Showing 1–36 of 159 posts

Boulders in a high moorland landscape around Kinder Scout. The nearest boulder is draped with two woven blankets.

Pathways: Exploring Bloc Projects’ Artist Development Programme

23.02.2026, by Jessica Piette

A close up on two vitrines with ceramic objects in them. On the wall behind a large mind map with the words Tees Valley: An Art History in the centre in an orange circle.

Desire Lines: Art, Place & Possibilities

16.02.2026, by Kate Sweeney

Various shapes cast in shadow on a stretched yellow canvas - illustrative outlines of galloping horses; broad brushstrokes describing hillsides; a pair of human hands.

Ethereal Matter

13.02.2026, by Kerry Harker

A close up of the mycelium rope curling around itself with purple and green lights

John-Paul Brown and Sophy King: The Guardians of Living Matter

06.02.2026, by Andee Collard

Three square copper plates mounted in a horizontal line with circles and feathers etched into their surfaces

ECHO LIMA: Anna Júlía Friðbjörnsdóttir’s Women in Print Residency 

04.02.2026, by Tessa Harris

A row of the backs of several large colourful ragdolls with their arms outstretched, forming an arch with a row of ragdolls opposite.

OUR TURN: The Art of Becoming

14.01.2026, by Martin Scott

A white wall gallery space with grey concrete ceiling and floor. On the back wall hang several small paintings; on the ground in front, a table with slender legs with a delicate looking object on.

Unquiet Landscapes

07.01.2026, by Hanna Dhaimish

A warmly lit gallery interior, there are small trees or patches of bamboo, arranged around the sapce. Two people sit in the middle of the space, on beanbags, listening.

Lintukoto and The Flowers Stand Silently, Witnessing  

15.12.2025, by Silvia Hassouna

In a large gallery space, a hexagonal bench sits in the centre of a ring of tall, asymmetric lightboxes with images of plants. They glow yellow, filling the whole room with yellow light.

Radha D’Souza and Jonas Staal, Court for Intergenerational Climate Crimes: The British East India Company on Trial

08.12.2025, by Tessa Norton

A cupped hand holds enough salt to fill its palm. The hand is held above a glistening body of water.

Angela Davies: (To the) Heart of the Matter

24.11.2025, by James Harper

A dark blue wall with framed photographs of damaged books opened at pages

Stephen Emmerson: How to Read a Book

19.11.2025, by Richard Barrett

Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

The houseboat is outside in a clearing surrounded by trees, supported by wooden plinths

Simon Starling: Boat Works

06.11.2025, by Caroline Bagenal

A widescreen still from a video. The scene is a woodland floor. A person in Blue outer jackets and black pants and grey trainers lies on the ground, on their side, hands covering their face. There is a bag or some other rectangular what object under their right leg.

Esther Salamon: Woodland Bird Woman

04.11.2025, by Mridula Sharma

A bird's eye view of circular drawings in the sand

Anna Clough: Inter/Extra Terrestrial

03.11.2025, by Iona Glen

Two people in dark clothes with dark, long hair stand chatting and smiling in an artist's studio, surrounded by colourful objects and shelves of artist materials

Exchange Place Studios: Inside Sheffield’s art laboratory

29.10.2025, by Orla Foster

A glossy black curtain with many folds. On it a photograph, large and in colour. It shows a woman with light brown skin standing in a landscape she is wearing a white robe and head scarf, in her left hand a Union Flag hangs, draping on the ground.

In all possible worlds: Middlesbrough Art Week, 2025

24.10.2025, by Kin

An deflated sculpture made from weather balloons hanging from the ceiling, wrinkeld, and gathered as such to resemble a large duck-like figure hanging in the space, it is yellowy in colour

Nothing Gold Can Stay: Assembly 2025

13.10.2025, by Leah Hickey

A white wall gallery space with a grey floor. On the floor to the right and in the foreground, a curved piece of steel with two tentacular twists of metal leading from each end up into the air, towards a skylight above. On each of the two back walls, strips of metal at around head height - one light grey in colour, the other with darker markings.

Rebecca Halliwell-Sutton: From skin to land, from walls to worlds

06.10.2025, by Simal Rafique

A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

A dimly lit interior, a back wall painted orange with a tv monitor showing dappled light through tree leaves. In the foreground two victorian looking chairs.

The Inside and Outside of Belonging – MA Fine Art Degree Show 2025

29.09.2025, by Joanna Jowett

Installation view of the white gallery space with a sliver of the blue entryway visible

The Way In Is Not The Whole Way Through 

09.09.2025, by Laura Biddle

A large globe constructed of wire with continents outlined in red neon light sits on the gallery floor. Behind, a large pile of brown paper, hessian and fabric is layered up into the corner of the room.

We Grown-Ups Can Also Be Afraid: Creativity in Times of Crisis

25.08.2025, by Jennifer Brough

Installation Shot. Image courtesy of Broken Grey Wires.

Who Wants Flowers When They Are Dead? at Williamson Art Gallery and Museum, Birkenhead

14.08.2025, by Denise Courcoux

a gallery space with small framed works and a sculpture of a horse

Confluences

11.08.2025, by Vaishna Surjid

An upturned vase embedded in a cube of concrete on a white plinth. In the background, a small bunch of flowers cast in bronze hand upside down on a wall and light slants in through a large window.

Mia Mai Symonds: A Life of its Own

01.08.2025, by Kerry Harker

A large white wall gallery space with assemblages of objects spread around the space, chiffon prints of the doors to public bathrooms hung from the ceiling.

Paula Chambers: Still. Stray. Stowaway.

18.07.2025, by Stella Baraklianou

A bedroom scene where the plush velvet bed has been squished so its footboard touches its headboard and the spotlights above are kinky furry toys

Mark Woods: Formula + Fetish

26.06.2025, by Even Allen

human hands rolling brown clay on a wooden surface

Inside the Building, a Body: Emily Speed’s Women in Print Residency

08.06.2025, by Eloise Oui

Three performers wearing painted garb traverge a gallery space draped with calico. The floor is white vinyl and has words and fortprinted painted on in black and red. There is an audience watching.

Delaine Le Bas: +Fabricating My Own Myth – Red Threads & Silver Needles

05.06.2025, by Kate Sweeney

Pages of text hang from a wall fixed ligature made from copper piping

Joanne Masding: The Moveable Scene of the Page

02.06.2025, by Kevin Hunt

A big egg hanging with images of war on the right, on the left a human shaped figure made of black reels of tape

Dis/Connect: Kelan Andrews, Nicky Nadine, Renee Nie

28.05.2025, by Bob Dickinson

close up of children's paintings scattered on a colourful fabric sheet

All Kinds of Hands: An Exhibition of Co-Produced Sculpture

20.05.2025, by Natalie Bradbury

terracotta, cream and brown coloured strips of fabric draping from the ceiling

Energy House 2.0: Mishka Henner and Emily Speed

15.05.2025, by Jack Nicholls

A wooden table covered with a row of wooden sticks and small prints of mouths on pieces of paper standing upright

The Caravan Press and All the Better to Hear You With

06.05.2025, by Francesca Brooks