Review — 15.04.2019
Roy Voss: The Way Things Are
Gymnasium Gallery, Berwick-upon-Tweed
by Caro Fentiman
Review — 18.12.2018
Aaron Guy: The House that Jack Built
36 Lime Street, Newcastle upon Tyne
by Christopher Little
Review — 05.12.2018
The Hepworth Prize for Sculpture 2018
Hepworth Wakefield, Wakefield
by Paula Chambers
Review — 19.11.2018
Heather Phillipson: The Age of Love
BALTIC Centre for Contemporary Art, Gateshead
by Carys Rose Thomas
Review — 07.10.2018
Liverpool Biennial 2018 at the Bluecoat
The Bluecoat, Liverpool
by Callan Waldron-Hall
Review — 14.05.2018
Roy Voss: The Way Things Are & All the World’s a Sunny Day
Grundy Art Gallery, Blackpool
by Daniel McMillan
Review — 28.04.2018
Simona Brinkmann: Override & Ellie Collins: Sweepings
The Art House, Wakefield
by Karen Tobias-Green
Review — 12.04.2018
Jasmina Cibic: This Machine Builds Nations
BALTIC Centre for Contemporary Art, Gateshead
by Adam Heardman
Review — 11.04.2018
Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)
Leeds Art Gallery, Leeds
by Jack Welsh
Review — 20.03.2018
Anthony McCall: Solid Light Works
Hepworth Wakefield, Wakefield
by Gertrude Gibbons
Interview — 17.03.2018
Aitor Gonzalez and Noel Clueit: Edinburgh Sculpture Workshop
Edinburgh Sculpture Workshop, Edinburgh
by Lisa-Marie Dickinson
Review — 12.01.2018
Sofia Stevi: turning forty winks into a decade
BALTIC Centre for Contemporary Art, Gateshead
by Adam Heardman
Review — 10.01.2018
Saelia Aparicio: Your Consequences Have Actions
The Tetley, Leeds
by Robbie di Vito
Review — 28.11.2017
Michael Flechtner: Animating Neon
Neon Workshops, Wakefield
by Lisa-Marie Dickinson
Review — 08.11.2017
Alina Szapocznikow: Human Landscapes
Hepworth Wakefield, Wakefield
by Liam McCabe
Review — 25.10.2017
David Sowerby: The Idles That Habit Forms
University of Leeds Project Space, Leeds
by Derek Horton
Review — 29.08.2017
Jiro Takamatsu: The Temperature of Sculpture
Henry Moore Institute, Leeds
by Saffron Ward
Review — 03.08.2017
Lindsey Bull and Plastique Fantastique
Castlefield Gallery, Manchester
by Nathalie Mayer
Review — 03.07.2017
Refinding: Jessie Flood-Paddock with Kenneth Armitage
The Tetley, Leeds
by Karen Tobias-Green
