Showing 1–36 of 172 posts

A tray containing teacups, some with multiple handles

Charlotte Dawson: If Memory Serves Me Well

10.09.2026, by Chloe Elliott

A yellow wall with many works on paper hung along it, including a big silver square, some smaller works in frames and a long blue print

Reflections: Sangat and the Self

07.09.2026, by Joseph Conway

Flanagan stands in front of the MARTIN COLLINS sign in black and white, he has light skin and dark hair with trimmed facial hair and wears a white shirt

You can never really return home: Elliott Flanagan Interview

01.09.2026, by Andrew McMillan

An installation view in a white walled gallery space. Several wall based works are shown around the walls with a small display case in front. The works seem to be a combination of abstract paintings in different primary colours and text-based printed matter.

Common Ground: Sleaford’s Shared Stories

24.08.2026, by Colette Griffin

A dark room with a circular wooden frame in the centre, in which are two chairs and a TV screen.

Sahjan Kooner: (darkforest) The Zone of Ghosts

14.08.2026, by Natalie Hughes

An opulent room with a stage and curtains and chandeliers. An led screen reads 'and mek mirry cheir!'

Our Wic: Lucy Wright Interview

07.08.2026, by Kate Liston

The artist wears stands with hands clasped proudly in front of the black inflatable sculptures of refugees and the wall depicting life sized bombs

Ai Weiwei: Button Up!

03.08.2026, by Lesley Cheung

A squashed rusty shopping trolley with paper crows sitting on it

Dawn Woolley: Relics: Objects of Devotion for Contemporary Life

31.07.2026, by Zara Worth

Film still depicting a starling perched a top a man's head.

Murmur

28.07.2026, by Joshua Jones

A tentacle like sculpture on three legs made of wound sections of brown card or paper emerges from the floor of an institutional workspace

The Fine Art Degree Show: Lancaster University

21.07.2026, by Peter Shukie

A person lies on a pile of duvets, arms outstretched a look of happy relaxation on their face.

ABUNDANCE at The NewBridge Project

19.07.2026, by Rachel Boyd

Three dark ceramic forms on tall, slender plinths

Parham Ghalamdar: Aerotheology

07.07.2026, by Simal Rafique

Detail of a textile artwork. Bright, multicoloured pieces of fabric have been knotted and bunched tightly together. A metal object with bells is pressed into the fabric.

Matrika: She Who Makes Worlds by Saroj Patel

29.06.2026, by Pamela Vivas

A dark room with an illuminated disco ball casting dots of light onto the walls above an illuminated screen showing futuristic buildings on the far side of a green lawn

Rough Terrain

26.06.2026, by Chris Alton

A viewer crouches down to look at the low lit borindos

Invisible Flock: Microtonal

11.06.2026, by Jessica El Mal

A grey floored room with a grey desk and grey control panel with knobs and dials underneath a huge screen with an illuminated night sky

Felicity Hammond: Reactor 

08.06.2026, by Caroline Bagenal

Three large female faces smiling against a purple backdrop with fairground lights. Holes are cut into the pictures for viewers to insert their own faces.

Curtain Up

10.05.2026, by Jazmine Linklater

An adult kneels in the centre of the room beside a small wooden structure on which three toddlers clamber and play

Things of the Least: lively exhibition-making with children under-3

06.05.2026, by Natalie Bradbury

A woven textile piece is suspended from a metal frame in the centre of the gallery. Threads of green, bright reds and pinks form an abstracted image that perhaps resembles a disintegrating map of some kind. The edges of the weaving are left untrimmed and threads of different colours hang down.

Raisa Kabir: I only dance, I wish we could sing

04.05.2026, by Ruth Charnock

A gallery is lit with fuzzy green lighting - pools of which highlight sculptures on the wall and floor

Kelsey Cruz-Martin: A Shell Stood for Zero

22.04.2026, by Lizzie Lloyd

Becky Beasley, 'A Gentle Man (Part II) (1975-2029)' installation view at QUAD, Derby. Photograph by Nigel Green.

Becky Beasley: A Gentle Man (Part II) (1975-2029)

20.04.2026, by Suzanne Golden

Swans gather in a circle on the water, the sun reflecting off the ripples

‘Shaped Around Us’ – Practice: Leeds, Yorkshire Contemporary’s Artist Development Programme

20.04.2026, by Farah Dailami

A large gallery. A set of screen-sheets suspended from the ceiling with a bright image projected onto them. To the right, a screen showing a face that seems to be covered in fabric.

Saodat Ismailova: As We Fade

31.03.2026, by Jade Foster

Three glass sculptures in a row, on the left two small panels propped up on metal stands and on the right a longer pane leaning against the wall. In the foreground a rectangle of blue on the floor with an old car tyre laid atop it.

Harriet Bowman: Slow Puncture

27.03.2026, by Grace Edwards

A light wooden frame is dimly illuminated in the darkness, with pink and white ribbons and hand shaped fabrics draped from it

Against Control: Anti-Heroic Authorship in New Exhibitions from Ellis and Kidd

18.03.2026, by Mollie Balshaw

A painting of blue and pink skies with a shrouded figure in the foreground

Jayne Simpson: LION

05.03.2026, by Natalie Russett

A collaged drawing on a yellow sheet contains female forms with too many hands and breasts, but no feet. Cartoon skulls are placed by a scribbled fire. A woman's head floats, dismembered, above a string of flowers.

Delaine Le Bas: Un-Fair-Ground

25.02.2026, by Jazmine Linklater

A close up on two vitrines with ceramic objects in them. On the wall behind a large mind map with the words Tees Valley: An Art History in the centre in an orange circle.

Desire Lines: Art, Place & Possibilities

16.02.2026, by Kate Sweeney

Various shapes cast in shadow on a stretched yellow canvas - illustrative outlines of galloping horses; broad brushstrokes describing hillsides; a pair of human hands.

Ethereal Matter

13.02.2026, by Kerry Harker

3 drawings depict wild cartoonish characters, each like a fantasy - the left hand drawing is mostly purple, the middle drawing is mostly black and the 3rd is rainbow coloured!

Hardeep Pandhal: Saag and Fish Fingers

09.02.2026, by Kevin Hunt

A close up of the mycelium rope curling around itself with purple and green lights

John-Paul Brown and Sophy King: The Guardians of Living Matter

06.02.2026, by Andee Collard

A picture of a monitor showing a split screen image. A long piece of red fabric is woven among trees, in a bright scene. On the left a figure is holding the red fabric.

Listening to the Voices of the Rivers

04.02.2026, by Anna Mud

A row of the backs of several large colourful ragdolls with their arms outstretched, forming an arch with a row of ragdolls opposite.

OUR TURN: The Art of Becoming

14.01.2026, by Martin Scott

A warmly lit gallery interior, there are small trees or patches of bamboo, arranged around the sapce. Two people sit in the middle of the space, on beanbags, listening.

Lintukoto and The Flowers Stand Silently, Witnessing  

15.12.2025, by Silvia Hassouna

Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom, 2025, Installation view at Nottingham Contemporary. Photo: Michael Pollard. Courtesy of Nottingham Contemporary.

Basel Abbas and Ruanne Abou-Rahme, Prisoners of Love: Until the Sun of Freedom

10.12.2025, by Amrit Doll

In a large gallery space, a hexagonal bench sits in the centre of a ring of tall, asymmetric lightboxes with images of plants. They glow yellow, filling the whole room with yellow light.

Radha D’Souza and Jonas Staal, Court for Intergenerational Climate Crimes: The British East India Company on Trial

08.12.2025, by Tessa Norton