Showing 1–36 of 41 posts

Review — 30.10.2020

True Voyage is Return: Augmented Empathy

FACT, Liverpool

by Stephanie Gavan

Review — 22.10.2020

The Time We Call Our Own

Open Eye Gallery, Liverpool

by Bethany Holmes

Review — 30.09.2020

Jonathan Baldock: Facecrime

The Bluecoat, Liverpool

by Kyle Nathan Brown

Review — 16.03.2020

Taus Makhacheva: Hold Your Horses

The Tetley, Leeds

by Pamela Crowe

Review — 25.02.2020

Paula Chambers: Shoplifting in Woolworths and Other Acts of Material Disobedience

The Civic; Barnsley

by Jay Drinkall

Review — 17.10.2019

A new gallery for Leeds. BLANK_ opens with Rhian Cooke: Divide by Two

BLANK_, Leeds

by Abi Mitchell

Review — 05.10.2019

Ecstatic Rituals

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 26.09.2019

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

Bloc Projects, Sheffield

by Jessica Piette

Review — 17.09.2019

Ashley Holmes and R.I.P. Germain: Double 6

Leeds Town Hall, Leeds

by Super BLACK: Omari Swanston-Jeffers

Review — 14.09.2019

REAL WORK: FACT, Liverpool

FACT, Liverpool

by Stephanie Gavan

Interview — 08.07.2019

Annabel McCourt: Suffering Arcadia

Scarborough Art Gallery; Scarborough

by Martha Cattell

Review — 28.06.2019

Nika Neelova and Holly Hendry at The Tetley

The Tetley, Leeds

by Karen Tobias-Green

Review — 24.03.2019

Here Be Whales

Left Bank, Leeds

by Karen Tobias-Green

Review — 28.02.2019

Yoke: Undercurrent

The Art House, Wakefield

by Karen Tobias-Green

Review — 27.02.2019

Yoko Ono at Leeds Arts University

Leeds Arts University, Leeds

by Joanna Jowett

Review — 04.02.2019

Eva Mileusnic and Bob Birch: Critical Mass

Left Bank, Leeds

by Stu Hansom

Review — 09.10.2018

Tai Shani: Semiramis

The Tetley, Leeds

by Rachel Graves

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Review — 30.09.2018

Mitra Saboury: Growth Spurt

The Art House, Wakefield

by Karen Tobias-Green

Review — 24.08.2018

Film at Liverpool Biennial 2018

Liverpool

by Julia Johnson

Review — 29.06.2018

Andy & Peter Holden: Natural Selection

Leeds Art Gallery, Leeds

by Natalie Bradbury

Review — 17.05.2018

Material Environments

The Tetley, Leeds

by Louis D’Arcy-Reed

Interview — 15.05.2018

Talking Rubbish with Joanne Lee, Joanna Rucklidge and Frazer Hudson

SIA (Sheffield Institute of Arts), Sheffield

by Alice Bradshaw

Review — 09.05.2018

Adcredo: The Deep Belief Network by Joey Holder

Bloc Projects, Sheffield

by Abi Mitchell

Review — 28.04.2018

Simona Brinkmann: Override & Ellie Collins: Sweepings

The Art House, Wakefield

by Karen Tobias-Green

Review — 11.04.2018

Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)

Leeds Art Gallery, Leeds

by Jack Welsh

Review — 20.03.2018

Anthony McCall: Solid Light Works

Hepworth Wakefield, Wakefield

by Gertrude Gibbons

Review — 09.11.2017

Wu Tsang: Under Cinema at FACT

FACT, Liverpool

by Aoife Robinson

Review — 02.11.2017

Lisa-Marie Dickinson: Mother Tongue

serf studios, Leeds

by Karen Tobias-Green

Review — 02.11.2017

Abandon Normal Devices 2017 (2/2): AUDIO

Castleton, Peak District

by Jacob Bolton

Review — 26.10.2017

Review: Frequency Festival 2017

Lincoln

by Jacob Bolton

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar

Review — 20.08.2017

Leanne Cook / Zarina Muhammad: Seen by Everyone

The Royal Standard, Liverpool

by Jacob Bolton

Review — 19.08.2017

Louisa Martin: Proxy

The Bluecoat, Liverpool

by James Harper

Review — 06.08.2017

Bethan Hughes: Bodies of Water

serf studios, Leeds

by David Steans